International Orange 7
International Orange 7 : Biography: The church in Veere. Van der Heyden grew up in Gorcum, where he learned drawing from a glass painter. but the family moved to Amsterdam around 1650. They lived on Dam Square. As a young man he witnessed the fire in the old townhall which made a deep impression on him. He later would describe or draw 80 fires in almost any neighborhood of Amsterdam. When he married in 1661, he lived on the most fashionable canal in Amsterdam, Herengracht. In 1668 Cosimo II de' Medici bought one of his paintings, a view of the townhall with a manipulated perspective. Van der Heyden often painted country estates, like Goudestein, owned by Joan Huydecoper II. Though he was exceptionally good at perspective, he was not good in drawing figures or details, and used for his paintings a metal plate for bricks, and a sponge or moss for the leaves. Johannes Lingelbach, Adriaen van de Velde and Eglon van der Neer assisted him by drawing the figures on his paintings. Jan van der Heyden also introduced the lamp post and in 1672 improved the design of the fire engine. Van der Heyden was a contemporary of the landscape painters Hobbema and Jacob van Ruisdael, with the advantage, which they lacked, of a certain professional versatility; for, whilst they painted admirable pictures and starved, he varied the practice of art with the study of mechanics. Van der Heyden, who was perfect as an architectural draughtsman insofar as he painted the outside of buildings and thoroughly mastered linear perspective, seldom turned his hand to the delineation of anything but brick houses and churches in streets and squares. Until 1672 he painted in partnership with Adriaen van de Velde, who populated his architectural scenes with figures and landscape effects. After Adriaen's death, he accepted the government appointment and his productivity was lower. His most important works were painted in the years 1660-1670, most notably views of the Amsterdam town hall, the Amsterdam exchange, the London exchange, and views of Cologne. He died in wealth as the superintendent of the lighting and director of the (voluntary) firemen's guild at Amsterdam. He was a travelled man, had seen The Hague, Ghent and Brussels, and had ascended the Rhine past Xanten to Cologne, where he copied over and over again the tower and crane of the great cathedral. But he cared nothing for hill or vale, or stream or wood. He could reproduce the rows of bricks in a square of Dutch houses sparkling in the sun, or stunted trees and lines of dwellings varied by steeples, all in light or thrown into passing shadow by moving cloud
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